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  <title>All About Jazz CD Reviews</title>
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  <dc:date>2008-07-24T00:05:24-06:00</dc:date>

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# <title>Bob Szajner Triad II: Live at the Detroit Montreux Jazz Festival</title>
# <url>http://www.allaboutjazz.com/coverart/2008/bobszajnertriadII.jpg</url>
# <link>http://www.allaboutjazz.com/php/article.php?id=30093</link>
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<title>Bob Szajner Triad II: Live at the Detroit Montreux Jazz Festival</title>
<link>http://www.allaboutjazz.com/php/article.php?id=30093</link>
<description><![CDATA[Like far too many others, Bob Szajner serves as a reminder of how much jazz has been forgotten or overlooked. A popular player on the Detroit scene intermittently over several decades, Szajner distilled a piano style that brought together the blues and the innovations of Bill Evans in a popular form. This feel is readily apparent on Live at the Detroit Montreux Jazz Festival 1981, recorded in the early days of what has since become a major stop on the festival circuit...]]></description>
<dc:subject></dc:subject>
<dc:creator>Jay Deshpande</dc:creator>
<dc:date>2008-07-24T00:05:24-06:00</dc:date>
</item>


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# <title>Joan Jeanrenaud: Strange Toys</title>
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<title>Joan Jeanrenaud: Strange Toys</title>
<link>http://www.allaboutjazz.com/php/article.php?id=30111</link>
<description><![CDATA[Cellist Joan Jeanrenaud joined the Kronos Quartet in 1978, participating in more than thirty recordings and over two thousand performances with the always innovative string ensemble known for interpreting other composers' works. In 1999 she struck out on her own, as both a solo artist and a composer...]]></description>
<dc:subject></dc:subject>
<dc:creator>Dan McClenaghan</dc:creator>
<dc:date>2008-07-24T00:05:16-06:00</dc:date>
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# <title>Milford Graves: Percussion Ensemble</title>
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<title>Milford Graves: Percussion Ensemble</title>
<link>http://www.allaboutjazz.com/php/article.php?id=30106</link>
<description><![CDATA[Fulfilling Bernard Stollman's prescient request to record for his label, Milford Graves decided to enlist Sunny Morgan as a drumming partner for Percussion Ensemble. Graves did so purposefully; the duo percussionists were making more than music. They were calling up their heritage at a time that when Black Americans were teetering on the fulcrum of American cultural consciousness...]]></description>
<dc:subject></dc:subject>
<dc:creator>Lyn Horton</dc:creator>
<dc:date>2008-07-24T00:05:08-06:00</dc:date>
</item>


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# <title>Mark Weinstein: Con Alma</title>
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<title>Mark Weinstein: Con Alma</title>
<link>http://www.allaboutjazz.com/php/article.php?id=30101</link>
<description><![CDATA[Mark Weinstein's Con Alma is a delightful collection of Latin styled tunes featuring the light and refreshing sound of jazz flute. From bassist Santi Debriano"s opening "Santi's Africaleidescope" through to the closing standard "Stella by Starlight," the combo creates a constantly catchy Latin groove, establishing a foundation for the light flittering sounds of Weinstein's flute. Although Weinstein and his sidemen contribute three of the eleven tunes, the remaining eight are arrangements of standards by well-known members of the jazz pantheon...]]></description>
<dc:subject></dc:subject>
<dc:creator>Craig W. Hurst</dc:creator>
<dc:date>2008-07-24T00:05:05-06:00</dc:date>
</item>


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# <title>Billy Fox: Kaidan Suite</title>
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# </image>

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<title>Billy Fox: Kaidan Suite</title>
<link>http://www.allaboutjazz.com/php/article.php?id=30089</link>
<description><![CDATA[Billy Fox is primarily a composer, although he does play various percussion instruments on both his fine previous release The Uncle Wiggly Suite (Clean Feed, 2007) and Kaidan Suite. He approaches composition eclectically, but there is a decided classical undertone. Note that both recordings are suites, and thus are integrated works, meant to be listened to from beginning to end. Within the composed structure however, he allows much freedom for improvisation, regardless of whether it is of the classical or jazz type, which differ mostly in rhythmic feel...]]></description>
<dc:subject></dc:subject>
<dc:creator>Budd Kopman</dc:creator>
<dc:date>2008-07-23T00:05:27-06:00</dc:date>
</item>


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# <title>Eri Yamamoto: Duologue</title>
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<title>Eri Yamamoto: Duologue</title>
<link>http://www.allaboutjazz.com/php/article.php?id=30087</link>
<description><![CDATA[For her first disc as a leader away from her trio, Japanese pianist Eri Yamamoto has chosen to work in duo with four different partners: master bassist William Parker, veteran downtown New York saxophonist Daniel Carter and percussionists Hamid Drake and Federico Ughi. Classically trained, Yamamoto dedicated her life to jazz after a revelatory experience hearing pianist Tommy Flanagan in Central Park on a visit to her sister in 1995. This disc proves that her strong showing on William Parker's excellent Cornmeal Dance (AUM Fidelity, 2007) was no fluke...]]></description>
<dc:subject></dc:subject>
<dc:creator>John Sharpe</dc:creator>
<dc:date>2008-07-23T00:05:23-06:00</dc:date>
</item>


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# <title>The Jeff Gauthier Goatette: House of Return</title>
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# <link>http://www.allaboutjazz.com/php/article.php?id=30088</link>
# </image>

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<title>The Jeff Gauthier Goatette: House of Return</title>
<link>http://www.allaboutjazz.com/php/article.php?id=30088</link>
<description><![CDATA[Violinist/producer Jeff Gauthier is well-known for his cutting-edge solo work and being a proponent of his label's crystalline, sonic engineering process, where most all the details and nuances can be detected, even with low-budget stereo equipment. The Goatette's third release continues to demonstrate the musicians' nearly telepathic interactions amid an abundance of structured and improvisational components...]]></description>
<dc:subject></dc:subject>
<dc:creator>Glenn Astarita</dc:creator>
<dc:date>2008-07-23T00:05:17-06:00</dc:date>
</item>


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# <title>Cosmologic: Eyes in the Back of My Head</title>
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# <link>http://www.allaboutjazz.com/php/article.php?id=30055</link>
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<title>Cosmologic: Eyes in the Back of My Head</title>
<link>http://www.allaboutjazz.com/php/article.php?id=30055</link>
<description><![CDATA[Where does one find one's muse? Jason Robinson (tenor saxophone), Michael Dessen (trombone), Scott Walton (bass) and Nathan Hubbard (drums), who band together as Cosmologic, found it in jazz, in improvised music, in classical tangents, and in their own palpitating imaginations. They have has been together since 1999 and have forged a strong bond over that time. Their perspicacity and ability to capture the unusual gives their music a rather exceptional focus...]]></description>
<dc:subject></dc:subject>
<dc:creator>Jerry D'Souza</dc:creator>
<dc:date>2008-07-23T00:05:12-06:00</dc:date>
</item>


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# <title>Gregg Bendian: Research</title>
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<item rdf:about="http://www.allaboutjazz.com/php/article.php?id=30079">
<title>Gregg Bendian: Research</title>
<link>http://www.allaboutjazz.com/php/article.php?id=30079</link>
<description><![CDATA[All-percussion ensemble albums are rare in any genre. Still, by digging deep, it's possible to find exceptional discs like Swiss percussionist Pierre Favre's Singing Drums (ECM, 1984) and, more recently, The New Percussion Group of Amsterdam's Go Between (Summerfold, 2007), proving that percussion needn't be just about the rhythm...]]></description>
<dc:subject></dc:subject>
<dc:creator>John Kelman</dc:creator>
<dc:date>2008-07-23T00:05:06-06:00</dc:date>
</item>


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# <title>Ondrej Pivec: Overseason</title>
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<item rdf:about="http://www.allaboutjazz.com/php/article.php?id=30083">
<title>Ondrej Pivec: Overseason</title>
<link>http://www.allaboutjazz.com/php/article.php?id=30083</link>
<description><![CDATA[When Czechoslovakian organist Ondrej Pivec ventured to New York City with fellow countryman drummer Tomas Hobzek, a recording session was arranged with Brooklyn-based, Canadian guitarist Jake Langley and tenor saxophonist Joel Frahm. The resulting disc, Overseason, is a groove-oriented collection of soulful sounds, steeped in the organ combo tradition and brimming with hard-hitting, progressive solos...]]></description>
<dc:subject></dc:subject>
<dc:creator>John Barron</dc:creator>
<dc:date>2008-07-22T00:05:27-06:00</dc:date>
</item>


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# <title>Elephant9: DodoVoodoo</title>
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<item rdf:about="http://www.allaboutjazz.com/php/article.php?id=30071">
<title>Elephant9: DodoVoodoo</title>
<link>http://www.allaboutjazz.com/php/article.php?id=30071</link>
<description><![CDATA[As a member of groundbreaking noise improvisors Supersilent, whose 8 (Rune Grammofon, 2007) was one of last year's best, co-conspirator with percussionist Thomas Stronen in Humcrush (Rune Grammofon, 2004), co-op member of Transatlantic electronic improv group Box with its debut Studio 1 Rune Grammofon, 2008) and guest on the tranquil stasis of Supersilent mate/trumpeter Arve Henriksen's Strjon (Rune Grammofon, 2007), keyboardist Stale Storlokken may be the closest thing Rune Grammofon has to a house keyboardist. But as distinctive as he's always been as a colorist with these projects and others outside the Rune sphere--including guitarist Terje Rypdal's Vossabrygg (ECM, 2006)--he's never been as front and center as he is on DodoVoodoo, the debut from Elephant9...]]></description>
<dc:subject></dc:subject>
<dc:creator>John Kelman</dc:creator>
<dc:date>2008-07-22T00:05:21-06:00</dc:date>
</item>


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# <title>Soft Heap: Al Dente</title>
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<item rdf:about="http://www.allaboutjazz.com/php/article.php?id=30075">
<title>Soft Heap: Al Dente</title>
<link>http://www.allaboutjazz.com/php/article.php?id=30075</link>
<description><![CDATA[With the exception of drummer Pip Pyle this is the group that recorded 'Rogue Element' (Ogun) in May of 1978. On that occasion the drummer was Dave Sheen and the group was known as Soft Head, which offers a clue as to how the name was arrived at, particularly in view of the presence of Soft Machine alumni Elton Dean and Hugh Hopper. Keyboard player Alan Gowen, a musician as undervalued as the British Steve Miller, rounded the quartet out and his compositions as much as anyone's helped to give the music an identity all its own...]]></description>
<dc:subject></dc:subject>
<dc:creator>Nic Jones</dc:creator>
<dc:date>2008-07-22T00:05:13-06:00</dc:date>
</item>


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# <title>David Benoit: Heroes</title>
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<title>David Benoit: Heroes</title>
<link>http://www.allaboutjazz.com/php/article.php?id=30052</link>
<description><![CDATA[An ongoing trend in music is for veteran artists to do albums comprised of cover songs--whether to celebrate a particular musician, era or record label, revisit the music they grew up with or for commercial reasons. Done poorly, the collection can be trite. Pianist/keyboardist David Benoit attempts to avoid that pitfall with Heroes, a mixed bag of favorites heard over his lifetime...]]></description>
<dc:subject></dc:subject>
<dc:creator>Woodrow Wilkins</dc:creator>
<dc:date>2008-07-22T00:05:08-06:00</dc:date>
</item>


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# <title>Sam Newsome and Lucian Ban: The Romanian-American Jazz Suite</title>
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<item rdf:about="http://www.allaboutjazz.com/php/article.php?id=30070">
<title>Sam Newsome and Lucian Ban: The Romanian-American Jazz Suite</title>
<link>http://www.allaboutjazz.com/php/article.php?id=30070</link>
<description><![CDATA[The Romanian-American Jazz Suite, by soprano saxophonist Sam Newsome and pianist Lucian Ban, is another very good example of how the jazz aesthetic of personal expression be applied to other music (here Romanian folk music and Christmas carols) and, in essence, subsume it. The project has its genesis in an award given by CEC Artslink to promote cross-cultural projects between the United States and Central Europe, among other regions...]]></description>
<dc:subject></dc:subject>
<dc:creator>Budd Kopman</dc:creator>
<dc:date>2008-07-22T00:05:06-06:00</dc:date>
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# <title>Scrapomatic: Sidewalk Caesars</title>
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<title>Scrapomatic: Sidewalk Caesars</title>
<link>http://www.allaboutjazz.com/php/article.php?id=30073</link>
<description><![CDATA[The challenge faced by Scrapomatic's co-leaders, vocalist Mike Mattison and guitarist/vocalist/songwriter Paul Olsen, is a formidable one which is faced by both posers and genuine proponents of the blues--to turn the simplicity and passion that distinguishes the genre into a genuine means of personal expression...]]></description>
<dc:subject></dc:subject>
<dc:creator>Doug Collette</dc:creator>
<dc:date>2008-07-21T00:06:55-06:00</dc:date>
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# <title>Margie Day: Dawn Of A New Day / Experience</title>
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<item rdf:about="http://www.allaboutjazz.com/php/article.php?id=30074">
<title>Margie Day: Dawn Of A New Day / Experience</title>
<link>http://www.allaboutjazz.com/php/article.php?id=30074</link>
<description><![CDATA[Margie Day had already enjoyed a lengthy career prior to recording these two albums in the late 1960s, scoring top ten rhythm 'n' blues hits as the featured female vocalist with the Griffin Brothers band in 1951. In the intervening period of course, popular taste moved on apace, rendering her efforts here essentially as sides out of time. That's no bad thing however, as it makes the task of assessing her abilities as a singer of interpretative flair a whole lot easier, and whatever it takes to turn a technically accomplished singer into a moving one, it's clear that she had it...]]></description>
<dc:subject></dc:subject>
<dc:creator>Nic Jones</dc:creator>
<dc:date>2008-07-21T00:06:12-06:00</dc:date>
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# <title>One Shot: Dark Shot</title>
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<title>One Shot: Dark Shot</title>
<link>http://www.allaboutjazz.com/php/article.php?id=30061</link>
<description><![CDATA[Following up a career-defining release is always a challenge. France's One Shot--initially conceived as a one-off by some then-members of art-rock group Magma--has clearly developed a life of its own. Ewaz Vader (Le Triton, 2006), the group's third following One Shot (Self Published, 1999) and Vendredi 13 (Soleil 06, 2001), consolidated and made definitive the core markers present from the beginning: patient use of repetitive patterns to create hypnotic and compelling grooves; an inherent lack of excess that doesn't supplant clear virtuosity when the music demands it; and powerful yet subtle interaction, especially between drummer Daniel Jeand'heur and bassist Philippe Bussonnet...]]></description>
<dc:subject></dc:subject>
<dc:creator>John Kelman</dc:creator>
<dc:date>2008-07-21T00:05:12-06:00</dc:date>
</item>


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# <title>Alma Micic: The Hours</title>
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<item rdf:about="http://www.allaboutjazz.com/php/article.php?id=30069">
<title>Alma Micic: The Hours</title>
<link>http://www.allaboutjazz.com/php/article.php?id=30069</link>
<description><![CDATA[There are no doubts about it. Alma Micic (Mee-cheech) is a first rate jazz singer. On her debut album, Introducing Alma (CTA, 2004), she opened some doors with her seductive style working the Great American Songbook. Giving no hint of what was to follow, the release of The Hours raises the bar, leaving no hesitation about where this vocalist is headed...]]></description>
<dc:subject></dc:subject>
<dc:creator>Michael P. Gladstone</dc:creator>
<dc:date>2008-07-21T00:05:10-06:00</dc:date>
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# <title>Chris Standring: Love and Paragraphs</title>
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<item rdf:about="http://www.allaboutjazz.com/php/article.php?id=30060">
<title>Chris Standring: Love and Paragraphs</title>
<link>http://www.allaboutjazz.com/php/article.php?id=30060</link>
<description><![CDATA[Once upon a time Wes Montgomery plugged in his guitar and changed the way the world listened to jazz. Since then the guitar pick has been passed on to artists including George Benson, Earl Klugh, John Scofield and Pat Metheny, and each and every one has pushed the genre just a little bit further.

With Love and Paragraphs, guitarist Chris Standring makes a fair bid to push it the next step forward. This is as close to being a perfect album as any released in 2008...]]></description>
<dc:subject></dc:subject>
<dc:creator>Jeff Winbush</dc:creator>
<dc:date>2008-07-21T00:05:08-06:00</dc:date>
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# <title>Cyro Baptista: Banquet of the Spirits</title>
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<title>Cyro Baptista: Banquet of the Spirits</title>
<link>http://www.allaboutjazz.com/php/article.php?id=29788</link>
<description><![CDATA[Exotic percussion, string and keyboard instruments were strewn across the stage of Joe's Pub in New York City on May 29th. Cyro Baptista rapped out a pattern and casually live-looped it to play against himself with handclaps, drums and birdcalls. His approach of maximizing each person's sound fuels his new group and CD Banquet of the Spirits. Drummer-percussionist Tim Keiper, bassist-oudist Shanir Ezra Blumenkranz and keyboardist-accordionist Brian Marsella added to the leader's sonic blend, slowly teasing the introduction and launching their rendition of the late trumpeter Don Cherry's "Bird Boy...]]></description>
<dc:subject></dc:subject>
<dc:creator>Sean Patrick Fitzell</dc:creator>
<dc:date>2008-07-21T00:05:05-06:00</dc:date>
</item>

</rdf:RDF>
