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  <title>All About Jazz Feature Articles</title>
  <link>http://www.allaboutjazz.com</link>
  <description></description>
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  <dc:creator></dc:creator>
  <dc:date>2008-08-20T00:05:27-06:00</dc:date>

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<item rdf:about="http://www.allaboutjazz.com/php/article.php?id=30327">
<title>Tim Hagans: Subversive Jazz in Houston</title>
<link>http://www.allaboutjazz.com/php/article.php?id=30327</link>
<description><![CDATA[Tim Hagans, Subversive Jazz DiverseWorks Theater Houston, Texas August 10, 2008 

What would you expect when going to hear trumpeter Tim Hagans heading up a jazz show called Subversive Jazz, at DiverseWorks Theater in Houston Texas? Perhaps a free-flowing trumpet intro, followed by gongs and trap set? Sure. But when saxophonist Seth Paynter entered playing a Korean Tae Pyong So (or Nal Ra Ri, a copper-made trumpet attached to a wooden tube), while shooting off a cap gun, I began to take notice. Having lived in Korea myself, I recognized that sound (sans gun), but didn't expect to hear it in a jazz band. Nor did I expect to hear drummer Richard Cholakian ripping a drill saw into a plastic cup for the sound effect. And when bassist Thomas Helton made his introduction playing bowed bass notes very long... and very low, followed by the pulling of his strings until they almost came off of his bass, I knew we were in for a ride down into the nether regions of creative music...]]></description>
<dc:subject></dc:subject>
<dc:creator>Blaine Fallis</dc:creator>
<dc:date>2008-08-20T00:05:27-06:00</dc:date>
</item>

<item rdf:about="http://www.allaboutjazz.com/php/article.php?id=30198">
<title>Mark Dresser: Telematics</title>
<link>http://www.allaboutjazz.com/php/article.php?id=30198</link>
<description><![CDATA[By Mark Dresser 

 My sense of 'community' radically changed in 1998 while I was on tour in Europe. During a break after a soundcheck, I checked my email to read the devastating communication that beloved saxophonist Thomas Chapin was being taken off of life support. At that moment I was mentally transported from the locality of the club and connected to a larger group of family and friends of Thomas who were all experiencing the sad cognizance of the last few hours of his too short life. For the rest of the evening I was no longer just in that club, but in a larger space, connected to a larger community, bound by sadness. It was my first vivid experience that this mode of distance communication transcended time and place...]]></description>
<dc:subject></dc:subject>
<dc:creator>AAJ Staff</dc:creator>
<dc:date>2008-08-20T00:05:17-06:00</dc:date>
</item>

<item rdf:about="http://www.allaboutjazz.com/php/article.php?id=30204">
<title>Thelonious Monk: Brilliant Corners and At Town Hall</title>
<link>http://www.allaboutjazz.com/php/article.php?id=30204</link>
<description><![CDATA[Thelonious Monk Brilliant Corners (Keepnews Collection) Riverside-Concord 2008 Thelonious Monk At Town Hall (Keepnews Collection) Riverside-Concord 2008 

It's time for some revisionist thinking on Monk's discography. Pride of place always seems to go to the earliest recordings when, undeniably, Monk debuted much of what was to be his small but indelible oeuvre. But were they really Monk's best records? Some tunes sounded rushed as the takes were short (still aimed at a singles market) and often weren't fully realized. A much better case can be made for Monk's Riverside albums as the pinnacle of his recorded legacy. And these two albums are cornerstones of that work...]]></description>
<dc:subject></dc:subject>
<dc:creator>George Kanzler</dc:creator>
<dc:date>2008-08-20T00:05:11-06:00</dc:date>
</item>

<item rdf:about="http://www.allaboutjazz.com/php/article.php?id=30273">
<title>Misha Alperin / Ketil Bjornstad / Alon Yavnai -- Misha Alperin, Ketil Bjornstad and Alon Yavnai: Rolling Out New Piano Rolls</title>
<link>http://www.allaboutjazz.com/php/article.php?id=30273</link>
<description><![CDATA[In his pioneering works on cognitive musicology and music psychology, the late Leonard B. Meyer defended the concept of redundancy in its promotion of musical understanding, and for its important role in listeners' emotional engagement. Although the use of leitmotivs and recurrent musical events undoubtedly help listeners construe a cohesive representation of the musical discourse, the research premise of finding how music evokes affective responses provides as many different theories as there are psychoanalytic schools and philosophies...]]></description>
<dc:subject></dc:subject>
<dc:creator>Martin Gladu</dc:creator>
<dc:date>2008-08-19T00:05:29-06:00</dc:date>
</item>

<item rdf:about="http://www.allaboutjazz.com/php/article.php?id=30284">
<title>Lenny Pickett playing Dance Music for Borneo Horns in Ekenas, Finland</title>
<link>http://www.allaboutjazz.com/php/article.php?id=30284</link>
<description><![CDATA[Lenny Pickett and some Finnish friends RasePori Jazz Knipan, Ekenas, Finland July 27, 2008 

Readers familiar with the New York experimental or art music scene will be familiar with Lenny Pickett from his residence there for the last 25 years, and his involvement with fellow musicians such as Kenny Werner and John Hadfield. West coast veterans may remember his shimmying and jiving (and sax soloing) with the 1970s funk Tower of Power consortium alongside Emilio Castillo and Stephen Doc Kupka. And surely everyone remembers those ear bending solo inserts from his long stay with the Saturday Night Live band...]]></description>
<dc:subject></dc:subject>
<dc:creator>Anthony Shaw</dc:creator>
<dc:date>2008-08-19T00:05:25-06:00</dc:date>
</item>

<item rdf:about="http://www.allaboutjazz.com/php/article.php?id=30066">
<title>Jazz and Ethiopia: Etenesh and Le Tigre and Mahmoud Ahmed and Either/Orchestra</title>
<link>http://www.allaboutjazz.com/php/article.php?id=30066</link>
<description><![CDATA[Etenesh Wassie and Le Tigre (des Platanes) Etenesh Wassie and Le Tigre (des Platanes) Budamusique 2007 Mahmoud Ahmed and Either/Orchestra Mahmoud Ahmed and Either/Orchestra Budamusique 2007 

Ethiopia, the first African country to gain independence, has a rich musical heritage of native songs and instruments and state-sponsored brass bands, mixed with various foreign influences, including Spanish flamenco, Middle Eastern modal traditions, South American rhythms and North American pop and soul. Buda Musique has released two recent collaborative efforts between jazz musicians and Ethiopian singers that demonstrate the rich possibilities that emerge when cultures collide...]]></description>
<dc:subject></dc:subject>
<dc:creator>Tom Greenland</dc:creator>
<dc:date>2008-08-19T00:05:11-06:00</dc:date>
</item>

<item rdf:about="http://www.allaboutjazz.com/php/article.php?id=30308">
<title>Aaron Parks: Structured Freedom</title>
<link>http://www.allaboutjazz.com/php/article.php?id=30308</link>
<description><![CDATA[Pianist and composer Aaron Parks is 24 years old--and he started college 11 years ago. A child prodigy who entered the University of Washington at age 13 as a triple major in math, computer science and music, Parks quickly found that music was his true calling. Now, after a five-year stint with trumpeter Terence Blanchard, Parks is set to release his Blue Note debut, Invisible Cinema. The album, which hits stores on August 19, 2008, is a tour de force of composition, imagination and performance...]]></description>
<dc:subject></dc:subject>
<dc:creator>Jason Crane</dc:creator>
<dc:date>2008-08-18T00:05:27-06:00</dc:date>
</item>

<item rdf:about="http://www.allaboutjazz.com/php/article.php?id=30251">
<title>Hilario Duran and his Latin Jazz Big Band: From the Heart</title>
<link>http://www.allaboutjazz.com/php/article.php?id=30251</link>
<description><![CDATA[Hilario Duran and his Latin Jazz Big Band From the Heart Alma Records 2008 

Anyone who heard the explosive band put together by multi-instrumentalist Arturo Sandoval shortly after he broke away from the seemingly indivisible Irakere would probably remember the ubiquitous young gentleman at the piano. He was the one with the propulsive attack that featured a left hand like God in a Cuban descarga, abetted by the lightening fast right hand with darting flourishes that finished his intricate phrases. The "escuela de vida," where he cut his musical teeth, was the Orchesta Cubana de Musica, with whom, in 1976, he replaced departing pianist Jesus "Chucho" Valdes...]]></description>
<dc:subject></dc:subject>
<dc:creator>Raul d'Gama Rose</dc:creator>
<dc:date>2008-08-18T00:05:17-06:00</dc:date>
</item>

<item rdf:about="http://www.allaboutjazz.com/php/article.php?id=30338">
<title>Aaron Parks: Structured Freedom</title>
<link>http://www.allaboutjazz.com/php/article.php?id=30338</link>
<description><![CDATA[On the new episode of The Jazz Session, Jason Crane interviews pianist/composer Aaron Parks about his new album, Invisible Cinema (Blue Note, 2008). Parks is 24 years old--and he started college 11 years ago. A child prodigy who entered the University of Washington at age 13 as a triple major in math, computer science and music, Parks quickly found that music was his true calling. Now, after a five-year stint with trumpeter Terence Blanchard, Parks is set to release his Blue Note debut, Invisible Cinema. The album, which hits stores on August 19, 2008, is a tour de force of composition, imagination and performance...]]></description>
<dc:subject></dc:subject>
<dc:creator>Jason Crane</dc:creator>
<dc:date>2008-08-18T00:05:15-06:00</dc:date>
</item>

<item rdf:about="http://www.allaboutjazz.com/php/article.php?id=30298">
<title>In Denver: Oh, say can you hear?--Daytime jazz club folds in Harlem--Canadians revisit Ellington</title>
<link>http://www.allaboutjazz.com/php/article.php?id=30298</link>
<description><![CDATA[Colorado jazz singer Rene Marie's unaccompanied version of the national anthem at a Denver state-of-the-city address in early July called to mind guitarist Jimi Hendrix's blues-rock rendition of "The Star Spangled Banner" at the 1969 Woodstock Festival. Though city officials and assembled citizens applauded, the stirring lines of "Lift Ev'ry Voice and Sing" sent waves of mixed emotion across the country. Mayor John Hickenlooper told The Denver Post that Marie's rendition posed "a distraction from the great work...of our city employees over the past year." It was the singer's first and last performance at a Denver civic event, he allowed. National sentiment was more con than pro. Even Sen. Barack Obama took a stand: "We only have one national anthem," the presidential aspirant told The Rocky Mountain News. "And so, if she was asked to sing the national anthem, she should have sung that." Official anthem since 1931, "The Star Spangled Banner" was a poem by Francis Scott Key written in 1814 and set to an English drinking song by composer John Stafford Smith. "Lift Ev'ry Voice and Sing" was penned by the African-American author James Weldon Johnson and set to music by his brother J. Rosamond Johnson in 1899. First performed in 1900, the song today is the unofficial "black national anthem...]]></description>
<dc:subject></dc:subject>
<dc:creator>Fradley Garner</dc:creator>
<dc:date>2008-08-17T00:05:24-06:00</dc:date>
</item>

<item rdf:about="http://www.allaboutjazz.com/php/article.php?id=30206">
<title>Carl Fischer and Organic Groove Ensemble at Mirelle's</title>
<link>http://www.allaboutjazz.com/php/article.php?id=30206</link>
<description><![CDATA[Carl Fischer and Organic Groove Ensemble Mirelle's Westbury, New York July 30, 2008 

 The jazz spirits that haunt this historic venue were probably smiling, swinging and reaching for a cool one last night as phenom jazz trumpeter Carl Fischer and his terrific group, Organic Groove Ensemble generated a veritable jazz-funk firestorm. Tudor architecture inspired, the club, now a dinner and entertainment restaurant, was once the "Cork 'n' Bib" nite spot, which featured extended stay jazz acts such as Maynard Ferguson's big band, Miles Davis, Dizzy Gillespie and Horace Silver, among many others. Fischer and his mates did everything but bring those spirits back to life as they blistered through an array of jazz-funk tunes that provided these terrific musicians the opportunity to let fly with high energy, creative fire and improvisational flair...]]></description>
<dc:subject></dc:subject>
<dc:creator>Nicholas F. Mondello</dc:creator>
<dc:date>2008-08-17T00:05:18-06:00</dc:date>
</item>

<item rdf:about="http://www.allaboutjazz.com/php/article.php?id=30002">
<title>Big Bands From Around the World: Bennetts Lane Big Band, Jim Galloway's Wee Big Band and The Vanguard Jazz Orchestra</title>
<link>http://www.allaboutjazz.com/php/article.php?id=30002</link>
<description><![CDATA[Bennetts Lane Big Band The Snip ABC Jazz 2008 Jim Galloway's Wee Big Band Blue Reverie Sackville 2008 The Vanguard Jazz Orchestra Monday Night Live at the Village Vanguard Planet Arts 2008 

It's hard for most big bands to keep going over the long haul, but three have had some success, even though it is still a challenge. The Bennetts Lane Big Band, formed in 2002, is based in Melbourne, Australia and records for a local label, so they are likely unfamiliar to many American listeners. Soprano saxophonist Jim Galloway, a native of Scotland who has lived in Canada for decades, organized his Wee Big Band 30 years ago. The Vanguard Jazz Orchestra, a descendant of the Thad Jones-Mel Lewis Orchestra of the mid '60s, has continued since Lewis' death in 1990 under its present name...]]></description>
<dc:subject></dc:subject>
<dc:creator>Ken Dryden</dc:creator>
<dc:date>2008-08-17T00:05:11-06:00</dc:date>
</item>

<item rdf:about="http://www.allaboutjazz.com/php/article.php?id=30245">
<title>John Richmond at The Turning Point Cafe</title>
<link>http://www.allaboutjazz.com/php/article.php?id=30245</link>
<description><![CDATA[John Richmond The Turning Point Cafe Piermont, NY July 14, 2008 

 A few months ago I started reviewing sets performed at The Turning Point Cafe, a small, intimate club which features jazz on Monday nights. The common denominator of the shows is tenor and soprano saxophonist John Richmond, who also serves as the series curator. Although I kept coming back to the club ostensibly to hear veteran saxophonists like Bobby Porcelli and David Schnitter interact with first rate rhythm sections, it was Richmond's solos that always stayed in my mind...]]></description>
<dc:subject></dc:subject>
<dc:creator>David A. Orthmann</dc:creator>
<dc:date>2008-08-16T00:05:25-06:00</dc:date>
</item>

<item rdf:about="http://www.allaboutjazz.com/php/article.php?id=30239">
<title>Byther Smith -- Blues On The Moon: Live At The Natural Rhythm Club</title>
<link>http://www.allaboutjazz.com/php/article.php?id=30239</link>
<description><![CDATA[Byther Smith Blues On The Moon: Live At The Natural Rhythm Club Delmark 2008 

As with previous Delmark DVDs this one's a document of social history in so far as it catches some musical and social activity in Chicago on a given night. The fact that similar activity happens regularly does nothing to diminish the importance of such events. In fact, as long as music as committed and far outside the commercial mainstream is being documented by equally committed listeners, it can be argued that the human spirit is alive and kicking. It's also a testament as much to a vibrant city as to the indisputable talents of Byther Smith...]]></description>
<dc:subject></dc:subject>
<dc:creator>Nic Jones</dc:creator>
<dc:date>2008-08-16T00:05:20-06:00</dc:date>
</item>

<item rdf:about="http://www.allaboutjazz.com/php/article.php?id=30084">
<title>Gina Leishman: Postcards From the Highwire and In My Skin</title>
<link>http://www.allaboutjazz.com/php/article.php?id=30084</link>
<description><![CDATA[Kamikaze Ground Crew Postcards From the Highwire Busmeat Records 2007 Gina Leishman In My Skin GCQ Records 2007 

Gina Leishman revels in eclecticism, cherishing the journey as much as the destination. She plays saxophones, piano and bass clarinet as well as atypical wares like accordion, ukulele and harmonic glass. Best known to jazz listeners as the co-leader of the perennial horns-and-drums ensemble Kamikaze Ground Crew, she's also worked in musical theater as a performer, musician and composer; a cabaret vocalist; a composer for television and film and a voice-over specialist. Typically, her two recent CDs are stylistically diverse...]]></description>
<dc:subject></dc:subject>
<dc:creator>Sean Patrick Fitzell</dc:creator>
<dc:date>2008-08-16T00:05:11-06:00</dc:date>
</item>

<item rdf:about="http://www.allaboutjazz.com/php/article.php?id=30264">
<title>Jazz em Agosto 2008</title>
<link>http://www.allaboutjazz.com/php/article.php?id=30264</link>
<description><![CDATA[Jazz em Agosto Lisbon, Portugal August 1-3, 2008

Jazz em Agosto--jazz in August--is the centerpiece of the jazz calendar in Lisbon, and it's a singular event, one that combines uncompromising music at the cutting edge of the art form with a setting that makes the most of the Portuguese capital's climate. It's a chance to hear some brilliant music in a city and region that are both tremendously beautiful and rich in history. Both the setting and the support for the festival come from the Gulbenkian Foundation, a charitable endowment that sponsors both medical research and the arts and which has given Lisbon a large park that contains a museum, modern and traditional art galleries and several performance spaces, among them an outdoor amphitheatre that's a celebration of the balmy Lisbon nights. Rings of concrete seats surround a stage with a sophisticated light cage surmounting it. Behind the stage is a grassy area like an African savannah, while all about there is a sea of trees cascading over each other, from palm to coniferous and deciduous, all rustling against each other in the evening breeze, testament to Lisbon's astonishing capacity to grow things. A silver-coloured broadleaf tree ranges overhead, while the shadow of an ornamental cedar rockets upward, all brought to surreal heights with the changing lights...]]></description>
<dc:subject></dc:subject>
<dc:creator>Stuart Broomer</dc:creator>
<dc:date>2008-08-15T00:05:27-06:00</dc:date>
</item>

<item rdf:about="http://www.allaboutjazz.com/php/article.php?id=30252">
<title>Joey DeFrancesco / Guido Basso / Lorne Lofsky / Vito Rezza -- Joey DeFrancesco, Guido Basso, Lorne Lofsky, Vito Rezza: One Take, Volume One</title>
<link>http://www.allaboutjazz.com/php/article.php?id=30252</link>
<description><![CDATA[Joey DeFrancesco, Guido Basso, Lorne Lofsky, Vito Rezza One Take, Volume One Alma Records 2008 

The beauty of jazz is that it is music containing the sound of surprise. Most jazz musicians only plan what they are going to play, not how they are going to play it. So it may be different each time it is played. Then there is the jazz jam, the descarga. Things heat up as the jam progresses. The group gets tighter and the music starts to flow, bubbling like a brook, tumbling like a waterfall, roaring like a river in flood. Making it up as they go along, the jazz jam may not be a big deal for seasoned musicians...]]></description>
<dc:subject></dc:subject>
<dc:creator>Raul d'Gama Rose</dc:creator>
<dc:date>2008-08-15T00:05:22-06:00</dc:date>
</item>

<item rdf:about="http://www.allaboutjazz.com/php/article.php?id=30027">
<title>Cyro Baptista: Lucifer, The Dreamers and Orra</title>
<link>http://www.allaboutjazz.com/php/article.php?id=30027</link>
<description><![CDATA[

 John Zorn Lucifer,:Book of Angels, Volume 10 Tzadik 2008 John Zorn The Dreamers Tzadik 2008 Phantom Orchard Orra Tzadik 2008 

Brazilian percussionist Cyro Baptista is one of the great sidemen currently active, a musician whose resourcefulness can enrich and enliven almost any music, with projects from Cassandra Wilson to John Zorn. Over the years his musical spectrum has expanded to take in a host of styles and cultures, his notion of 'percussion' expanding as well to include anything that might be struck or scraped. That repertoire of styles and sounds is apparent in his own projects, like Beat the Donkey and the recent Banquet of the Spirits (both on Zorn's Tzadik label), and his contributions to Zorn's current music and other Tzadik projects are evident in these three recent releases...]]></description>
<dc:subject></dc:subject>
<dc:creator>Stuart Broomer</dc:creator>
<dc:date>2008-08-15T00:05:11-06:00</dc:date>
</item>

<item rdf:about="http://www.allaboutjazz.com/php/article.php?id=30190">
<title>Gent Jazz Festival 2008: Days 5-8</title>
<link>http://www.allaboutjazz.com/php/article.php?id=30190</link>
<description><![CDATA[Days 1-4 | Days 5-8 

Gent Jazz Festival 2008 Gent, Belgium July 17-20, 2008

 Day 5

 The second half of the Gent Jazz Festival is traditionally devoted to peripheral jazz zones, from hip-hop groove to Cuban nostalgia, New Orleans R&amp;B to avant-rock weirdness. All of the seats are cleared out of the performance tent, creating a floor designed for dancing. This year the opening act on Thursday allowed the crowd to sway in gently. The Belgian DJ Buscemi fronted a big band of fleshly players, providing beats and sonic peripherals, in a dialogue with drummer Mimi Vererame. The line-up included a string quartet, along with bass, piano, guitar, trumpet and an occasional singer. The concept, it appeared, was for pianist Michel Bisceglia to re-arrange Buscemi's electro output into a largely acoustic jazz flow. The results proved likable enough, but not without an overwhelming sense that these sophisticated soft-grooves were five, maybe even ten, years out of date. The pieces perambulated the acoustic space gracefully, dotted with well-behaved trumpet and guitar solos, but they didn't develop much, and were all but completely bereft of any flexing gristle. Ideal to get the audience members' heads moving agreeably, but only as an aperitif to the more substantial sounds to come...]]></description>
<dc:subject></dc:subject>
<dc:creator>Martin Longley</dc:creator>
<dc:date>2008-08-14T00:05:25-06:00</dc:date>
</item>

<item rdf:about="http://www.allaboutjazz.com/php/article.php?id=30244">
<title>Eric Darius: Goin' All Out</title>
<link>http://www.allaboutjazz.com/php/article.php?id=30244</link>
<description><![CDATA[Saxophonist Eric Darius has made his Blue Note label debut with Goin' All Out (Blue Note, 2008) and, as the title suggests, he is doing just that. The project includes covers of hits by Ne-Yo and Mary J. Blige, and he successfully puts his own spin on them. There is a new maturity in his music that is audible from the get-go. He has created a sound for himself that is distinctive and fresh and his approach is unique to him alone...]]></description>
<dc:subject></dc:subject>
<dc:creator>Katrina-Kasey Wheeler</dc:creator>
<dc:date>2008-08-14T00:05:19-06:00</dc:date>
</item>

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